Included Accessories
Vintage Tweed Hardshell Case, Strap, Cable
Recommened Gig Bag
FE1225 Electric Guitar Gig Bag, P/N 0991612406 (Not Included)
Saddle Height Wrench
.050" Hex (Allen) Wrench
Stevie Ray Vaughan Stratocaster®
Regular price
$2,199.99
Regular price
$2,199.99
$2,199.99
Sale price
Unit price
per
Stevie Ray Vaughan Stratocaster®
Stevie Ray Vaughan Stratocaster®
Model #:
0109200800
Regular price
$2,199.99
Regular price
$2,199.99
$2,199.99
Sale price
Unit price
per
- Early-'60s oval neck profile
- Pau ferro fingerboard with 6105 frets
- Texas Special™ pickups
- Engraved SRV pickguard
- Gold-plated hardware
- Reverse vintage-style tremolo bridge
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Details
Summary
Overview
Pure SRV Sound and Style
If there were a Mount Rushmore of the Stratocaster, Stevie Ray Vaughan would be one of the greats enshrined there. Fender's Stevie Ray Vaughan Stratocaster is a finely crafted like-new version of Vaughan's favorite guitar - the famous "Number One" Strat® with which he electrified listeners everywhere and seared scorching Texas blues into the top of the charts. For pure SRV tone and style that evokes one of the Stratocaster's most revered masters, this is the "one."
Overview
Features
- Early-'60s oval neck profile
- Pau ferro fingerboard with 6105 frets
- Texas Special™ pickups
- Engraved SRV pickguard
- Gold-plated hardware
- Reverse vintage-style tremolo bridge
Specs
Accessories
Body
Body
Alder
Body Finish
Gloss Urethane
Body Material
Alder
Body Shape
Stratocaster®
Electronics
Bridge Pickup
Custom Shop Texas Special™ Single-Coil Strat®
Controls
Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)
Middle Pickup
Custom Shop Texas Special™ Single-Coil Strat®
Neck Pickup
Custom Shop Texas Special™ Single-Coil Strat®
Pickup Configuration
SSS
Switching
5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickup, Position 5. Neck Pickup
General
Color
3-Color Sunburst
Orientation
Right-Hand
Platform
Artist
Product Name
Stevie Ray Vaughan Stratocaster®, Pau Ferro Fingerboard, 3-Color Sunburst
Series
Artist Signature
Hardware
Bridge
6-Saddle American Vintage Synchronized Tremolo
Control Knobs
White Plastic
Hardware Finish
Gold-Plated
Neck Plate
4-Bolt Custom
Pickguard
3-Ply Black with Engraved SRV
Strap Buttons
Vintage-Style
Strings
Fender® USA 250R Nickel Plated Steel (.010-.046 Gauges), PN 0730250406
Switch Tip
White
Tremolo Arm
American Vintage
Tuning Machines
6-in-Line American Vintage
Measurements
Fret Size
Narrow Tall
Scale Length
25.5" (64.77 cm)
Miscellaneous
Commodity Code
9207901000
Neck
Fingerboard Material
Pau Ferro
Fingerboard Radius
12" (305 mm)
Neck Finish
Gloss Urethane
Neck Material
Maple
Neck Shape
Thick "Oval"
Number of Frets
21
Nut Material
Synthetic Bone
Nut Width
1.650" (42 mm)
Position Inlays
Ivory Dot
String Nut
Synthetic Bone
Truss Rod
Vintage-Style Butt Adjust
Highlights
Narrow Tall Frets
Narrow tall frets provide more height, which lets you get a better grip on the strings, enabling more control over them and making bends and vibrato easier.
Thick Oval Neck
As Vaughan himself preferred, his signature model features a thick oval neck profile (the shape of the neck in cross section) that imparts a distinctively comfortable fretting-hand feel, and more mass for improved tone and sustain.
Texas Special™ Pickups
Single-coil Texas Special pickups are over-wound for big Texas-blues tone with dynamically scorching output. With alnico 5 magnets, enamel-coated magnet wire and staggered pole pieces for balanced output across each string, they sing, scream and everything in between with tight bass, focused midrange and crystalline highs.
"SRV" Pickguard
Surely the most distinctive visual element of this instrument is its black pickguard, engraved with the big, bold initials of the man himself.
Pau Ferro Fingerboard
A great wood for instrument fingerboards, pau ferro is a South American tone-wood with a feel and sonic characteristics similar to rosewood, but lighter in color and harder.
Left-Handed Stratocaster Tremolo
Vaughan is said to have preferred the left-handed (or upside-down) tremolo because its placement on a right-handed guitar was more like the arrangement used by Jimi Hendrix—with the trem arm above the strings rather than below them.
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