2 Min ReadBy Tara Fox
THE AMERICAN ULTRA II SERIES: A CLOSER LOOK AT OUR FASTEST-PLAYING NECKS
A masterful blend of cutting-edge tech and classic hand processes, we’re breaking down each high-performance feature.
THE AMERICAN ULTRA II SERIES: A CLOSER LOOK AT OUR FASTEST-PLAYING NECKS
There’s fast. And then there’s Ultra II fast. Designed for the world’s most demanding players, the guitars and basses in the American Ultra II Series represent the apex of Fender design, performance and craftsmanship. So it’s only fitting they feature our fastest-playing necks yet.
But what, exactly, makes the neck so fast? We caught up with Allen Abbassi, Fender’s Director of Product Management, for a breakdown of each high-performance feature – from the comfortable Modern “D” shape and Ultra rolled edges to all-new Luminlay® side dots.
MODERN “D” SHAPE
“The Modern ‘D’ shape is like a Goldilocks of necks; it’s a medium thickness – not too thick, not too thin,” Abbassi explains. “Compared to the Modern ‘C’ we use on the American Performer Series or the old Elites, the ‘D’ has shoulders that slope up a little – but not quite as drastically – so it feels a little flatter and thinner in your hand. A lot of times pros and advanced players gravitate toward thicker, vintage-style necks, and equate thickness with tone. But when they try something geared toward comfort and playability, they’re surprised at how nice it feels.”
COMPOUND RADIUS EBONY OR QUARTERSAWN MAPLE FINGERBOARD
The 10-14” compound radius means the curvature of the fretboard changes – with a smaller radius near the nut and a flatter radius toward the body. “This allows you to play higher registers – it’s easier to bend notes, and you’re less likely to fret or choke out,” he notes. As for the quartersawn neck? “It's a premium cut of wood, which results in a stronger, more stable neck – and you can feel it when you play it. They're more resistant to warping and the grain looks stunning – it's a great high-performance feature.”
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EBONY OR MAPLE FINGERBOARD
Typically reserved for Custom Shop models, ebony is about as premium a wood as you can get. “It’s bright like maple but not as snappy,” says Abbassi. “It’s a little smoother; it can be considered a midway point between rosewood and maple. Players might also find that ebony enhances the fastness of the neck.”
ULTRA ROLLED EDGES
“All the American-made guitars have rolled edges – but there are varying degrees. The edges on the Ultra II are more rolled than on any other Fender. This gives the guitars a more comfortable, broken-in feel. The difference is immediately noticeable.”
ULTRA SATIN FINISH
Many players liken the Ultra Satin finish to the feeling of a well-worn vintage neck – it has that comfortable, broken-in feel that usually only comes with years of playing. “The satin urethane finish on the back is a special treatment we call Ultra Satin – we take a little more time making it smooth and slick, which contributes to the neck being so fast.”
LUMINLAY® SIDE DOTS
For the first time in the history of Fender, every model in the American Ultra II Series features Luminlay® side dots – high-quality fluorescent inlays that glow in the dark. “It’s a great high-performance feature designed for the stage,” Abbassi notes. The feature addresses a common problem players face on tour – inadequate stage lighting – ensuring the fret markers on the neck are always visible, even in a dimly lit room.
Check out the all-new American Ultra II Series here.